Dawn of The Dragons

Invictus

Sonbather

The Snowman

Slave To Freedom

REMINGTON GRAVES

There are no boundaries set
The time and yet
You waste it still
So it slips through your hands
Like grains of sand
You watch it go
There’s no time to be lost
You’ll pay the cost
So get it right…

– There’s No Way Out Of Here   David Gilmour    

 

Radical in rancid self-aggrandizement thought, ready and ruling the ruins with ravenous hunger, the menace on a black motorcycle—growling through my placid neighborhood where grandparents come to die. I twist the throttle as hard as I can while a thin, hot razor-sharp tear streams from my left eye to nestle on the corner of my mouth, salty and certain; human all too human, the blue fairy was nothing but a whore in hologram, and my strings were two feeble shoelaces atop cheap shoes designed to look designed. A white-haired senior almost bald and resembling an eagle, looks up from his walker and cracks a smile and winks at me, and that wink cuts me like a rusty knife, down to the cowardly core for I know in that moment: I am the world’s greatest fucking poser. With four decades under my belt, and nothing to show for it, except thinning hair and aching knees, I let go of the handlebars and lick the jagged line of my crooked front teeth hoping someone behind me smashes into me without restrain, with blind fury, with raging resolve. But nobody does…

 

A black family of three are sitting on the corner of Fucked and Forsaken, and the father holds a small bent cardboard sign that reads, “HELP.” Father and mother stare at the grass under them, and the daughter is wearing a pastel-pink sweater and she looks up at me and smiles with soft, shapely lips and her dimples remind me of two shallow graves. I shift to a faster gear wanting to escape the uneasiness. My engine tries to drown the sullen song.

 

I get on the Freeway knowing this could be my last ride, my last day on this beautiful ugly gyrating rock and get aggressive in my stance. The wraith in my wrath rings like thunderous hooves breaking light, and drivers look at their cell phones searching for another place they’d rather be. Truck drivers hauling those big, long beasts, smoke cigarettes with seven-o-clock shadows and sweat-stained western shirts, and through their aviator glasses the reflection of freedom no longer looks the same, not like it used to. But these broken bastards, blessed by Uncle Sam with taxes and sub texts too technical to understand, bleed on, bleed on…staining the white stripes and connecting the red.

 

To the left, gnarly trees no longer say look at me, since they’re contrasted with electric towers and transformers, the virus known as the human race has graffitied what was already a masterpiece and mastered it to pieces.

 

My reflection stared back at me, from a family van window, with bloodshot eyes; Children smiled and waved through the glass. I heard a harmonica in the backyard of my mind, and smiled. Closing may eyes, I wondered how long I could keep riding before I felt the need to open them.

 

 

If you’re reading this, know this about me…

I am still in that dark, with a sublime organ wailing and joining that harmonica in the vast nothingness of it all, while a chorus of women sing and sing on..

 

 

There are no answers here
When you look out
You don’t see in
There was no promise made
The part you played
The chance you took
There’s no way out of here
When you come in
You’re in for good
There never…

Notable Quotes

GENE RODDENBERRY

“We must question the story logic of having an all-knowing all-powerful God, who creates faulty Humans, and then blames them for his own mistakes.”

 

 

The Show Must Go On

REMINGTON GRAVES

 

The disparaging had dwindled as she gazed at the subtle scuff on her left shoe through teary eyes. “Heels, a woman should never dismount her heels,” her mother had always harped. She scrutinized the man behind the pulpit: 6’2″, white hair, white beard,about 300 pounds, charming, deep tones in his voice. I am so lucky to have gotten this job, she thought.

“Ladies and gentlemen,” he said with his right hand waving evangelically to the right, “we are here today to coalesce—“

 

Gun shots blasted through the speech with deafening bangs.
“Everybody on the ground,” screamed an elderly woman in her eighties, her voice vibing Bacall and her stance exuding Bogart. Ten men in black clothes and Gandhi masks ran across the room rapidly reaching their positions. “No need for heroes tonight. Unless you want somebody to die. Raise your hand if you’re a police officer, secret service, or a security guard. I do admonish you to cooperate, for I am succinct, able and ruthless.”

 

Loud gun racket ensued. Women wailed. A man laid dead on the floor with a chrome pistol in his hand. One of the Ghandis leaned in and took his wallet and tossed it to the old woman.

 

“Well…”Howard Chicken Hawk”…from Austin, Texas. Sorry that you are no longer with us. I did warn you. Please, all of you can walk out of here with your lives. This violence is unnecessary. Any other recalcitrant display will undoubtedly result in a disastrous demonstration of my unfailing determination to achieve my desired end here today.”

 

“Time?” she said as she strolled over the corpse and headed for the pulpit. One of the Ghandi’s pulled back his sleeve and read his watch: “ten till ten,” he muffled.

“Good,” she said applying a tomato-red lipstick from her salmon colored purse. Her white gloves caressing everything in their path.

 

Once behind the pulpit, she reached for the microphone and bent it towards her face. “Now, pay attention, I don’t like repeating myself. I need these people to stand up: Gregory Ironsack, Mike Wallace, Heather S. Winters, Steven McKinnley, Franklin Chambers, and Anna M. Kings.”
They all stood up slowly and befuddled, straightening out their ties and pulling on their dresses except for one: Mike Wallace. “Why do you insist on this dull charade?” said the old woman as she took a few sheets of paper from one of her goons. “We know where all of you live, by the way,” she said squinting and rubbing her lips together surveying the quiet crowd. “My men are at your abodes now. Insurance, you understand. I just read the list. I am a woman of little patience. Come out, Mike.”

 

Mike rose to his feet annoyed and embarrassed. Fixing his cuff links he belted, “what is this about?” That’s right before Gandhi shot him in the back of the head. “My name is “Bell” and these are my “Bellonies.” All of you that are standing up, thank you for your obedience. Bello’s…”

 

The sound of semi-automatic weapons unleashed like rabid wolves on the people standing; they began dancing in pain,  adding to the strident symphony with bones cracking and snapping, screaming, grunting, and pleading. Clouds of dust carried pieces of their wardrobe and chunks of hair.

 

“You said we would walk out with our lives?” said a man on the floor.

 

“Do you still want to?” said Dorothy. The man did not respond. “I thought as much.

 

“Each one of those people, now departed, were involved in the kidnapping of my beloved brother “Cagney.” He is the reason I grace you with my presence here tonight. We are not letting you go until somebody here provides me with substantial information concerning his location. I strongly admonish you not, I repeat, not to try and contact the police in any way, shape, blah blah blah. If anybody has a question, now is the time to ask? No? Good.”

 

“Aaand cut!” screamed Sullivan Borne, the director.

 

“Keep shooting,” cried Dorothy. “This picture is over when I say so. And, by the way, real guns, real bullets, real dead ducks.”

 

“Okay, very funny. That’s lunch.”

 

“Number Seven…” she said as one of the Ghandi’s shot him on the foot.

 

“You fucking crazy bitch,” he struggled to say staring at her from the floor. “Have you lost your goddamned mind? You will never work in this town again, you old hag. My fucking Christ. Listen, Dorothy—“

 

“Bellona,” she said applying more lipstick.

 

“What?”

 

“Bell, if you like.”

 

“Listen, Dorothy, stop this craziness…”

 

“Seven,” she said calmly.

 

“No, no, wait. What do you want? What do you want me to do? Did I do something wrong? I’ll give you a longer part. Money? I have lots of money, you know that. Anything. Just say the word.”

 

“We…are…finishing…this…picture, Sullivan.”

 

“Okay, okay. Can I get some medical attention first? I’m in pain. My foot is bleeding all over the place.”

 

“Number 3, wrap it with one of those towels over there.”

 

“I think the coffee girl just lost it, Bell,” said number three standing in front of a young red-head trembling and urinating where she stood.

 

“Christ,” said Dorothy, “have a little class, Darling. In my day, this type of behavior was unheard of in the business. Someone get this tart to sit down, will you? She’s appalling.”

 

“Her name is “Candy”,” said a thin, acned Mexican boy with a microphone headset.

 

“Will someone get me a drink?!” she screamed, right hand reaching out into the air. Her face staring at the floor.

 

The scuffed-shoe maiden raised her hand timidly and said, “I have a bottle of Schnapps in my purse.”

 

“You’re hired, kid,” said Dorothy snapping her gaunt, pale fingers as her pearl bracelet spun around her freckled wrist drawing attention to her matching necklace and earrings. “Hurry your goofy tush, Sweetheart, we haven’t got all day for Christ’s sake. And wipe that silly scuff of your stiletto, would you.”

 

“Yes, M’am.”

 

Dorothy poured herself a drink and relined her eyebrows in the rattling reflection of a camera man’s aviator glasses. He stood still producing beads of sweat upon his brow. “Get rid of those glasses, young man, you look like a homosexual policeman. Bellonies one through five, sweep check the warehouse.  You, other five, hold your positions. Collect all portable phones. Do whatever it takes, Darlings.”

 

The director sat against the grimy set and gestured gregariously and grunting. “The cops will be here any minute, Dor— I mean, Bell. You really don’t think you’ll be getting away with this, do you?”

 

“You’re a fool. You’ve always been.”

 

“People are going to wonder why there wives aren’t back home; why their boyfriends never returned from the filming.”

 

“I’ve sealed the place off, Buster. Nobody’s getting in here, believe me. You know…you were nothing before I starred in that silly picture you produced in ’56. God, was I ever that young.”

 

“Listen to me, you can end this right now. Nobody else needs to get hurt. You do realize you’re suffering from some kind of del—“

 

“Quiet, you fool,” she snapped as she drove her stiletto slowly and forcefully with a groaning twist into his chest, “this picture will be made, Sullivan, with or without you. You decide.”

 

“Fine,” he squeaked looking through the high windows in the warehouse. “Sweety, be reasonable. Let the people go who aren’t involved in the film.”

 

“So they can run and get help? Oh, come one, what do you take me for? I assure you, Sir, I was not born yesterday. No, no…the show must go on, and all the people must stay. Places, places everyone.”

 

Rachmaninov’s Prelude Op 23 no 5 commenced as Bell ran a gold metal brush through her dark black hair, sprayed perfume in the air and twirled slowly in it with a serene smile so satisfyingly emitted, it almost put everyone at ease. Almost.

 

Police officers were pulling over drivers elsewhere; husbands watching sporting events on television hadn’t noticed their wive’s missing; Paramedics laughed through a bug-riddled windshield as they passed the studio; children looked up at the sky watching a hot-air balloon; a prepubescent princess pranced before her parents in a ballerina outfit singing ‘I want to be famous when I grow up’; the sound of a train accentuated Rach’s notes…

 

“You ready, Sullivan?” she said with a scarlet smile and heavy eyeliner as she extended her gloved hand to help him off the ground.

 

“Yes,” he muttered understandingly, finally in his old age, his now mediocre career, that the show…must go on.

 

 

Bit

REMINGTON GRAVES

 
in all the black and white i saw you wearing red
i became the man on demonic and general abstractions
a distant symphony hidden…

The Good…

REMINGTON GRAVES

Strident screeching, slowly sinking—the cold slap of metal against grinding metal, feet adjusting in their stance, sound of crunching sand below them; blur of steps beneath: one,two, three, twelve… 

It used to take me an hour, sometimes two to find a perfect spot…to carve out the carnage, to release the rancid resentments and derailing depression, and sweating and gasping, alone, the sound of red bricks that pit and patted underneath glowing hot-green gummy skateboard wheels—I was a fearless little fucker, stamina-sustaining-serpent extraordinaire.

 

And now at the fungal age of forty-one, I mount my black steed and tie the skate to the sissy bar and ride there. Ennio Morricone enters with menacing mallets and bending saws, and his music fills sticker-laden helmet on my hot voyage to wherever, with the cycle engine for the backbeat.

 

To you, whilst whistling whimsically on your cellphones and posting and posing for a world not real, the glowing screen is as it good as it gets.

 

To me, this is the Old West.

 

 

Impregnated

REMINGTON GRAVES

pulsing cocoon

shelter my moaning typewriter

in fetal reverie it shifts within

bleeding through

ears                        come on the birth pangs

wings on fingertips unfold slowly fanning slightly panning

sound pounding

whir comfortingly nightmarish      toil on relentless limbs

 

pages white with virginity become my ardent concubines

the gathering      an anticipation

caressing one another

 

the method–a demon flower arrayed

choked by vines enervated whilst numb

swinging as he rides a panting beast besides the whore half beaten

 

the place–a desolate onslaught of rooms vacant and without windows

missing doors

lack of ceiling

shards of glass gleaming

cement floors

the beginning of an unholy trinity    the two missing siblings      and the mother of my cries

 

i become the irony in the future flux

the quiet holding of the breath

anonymity leaving lip smudges on a drinking glass

encouraging the naked neck

begging for a snap

cold enough to crack

 

     you will be the heir

     my prodigal son

     murderer of thought

      savior of a few

    and

forgotten

  with

fervency

  ∞

 

 

Forbidden Fruit

REMINGTON GRAVES

Three ghastly and grunting goons glided towards him giving him the googly eyes that promised pain and punishment. The leader of the punks pensive and poignant then shifting to pugilistic putrid ploys, whispered an archaic word into the dank distance between them.

 

He could almost hear his own heartbeat through the burning in his ears as the monstrous mits of the other two men pressed down on his shifting shoulders, one at each side. The leader twisted on his mustache as the lights above shined on his balding widows peak.

 

They created that crime, man. They did!”

”What the hell you talking about, Bub? Don’t try and sweet talk to me now, you’re a goddamn degenerate.”

”They set me up-I swear. For television ratings, man. Honest. I was done with all that. Years and years and I hadn’t even thought about doing it. For the love of all that’s good fellas, you gotta believe me!”

”Grab him, Terry, and make sure he don’t scream—this ain’t gonna feel nothing nice.”

 

In the warden’s office Iron Butterfly’s In-A-Gadda-Da-Vida blared through cheap stereo speakers as the warden himself rubbed on his crotch while staring at a clothes catalogue for young girls, shifting in his cheap office chair.

 

With blood pouring from his mouth and nose, he kept saying, “ I swear….I swear…they placed it there…I was done with all of that…you gotta believe me…”

 

As they emptied his pockets and took off his shoes one of them finally asked, “So, what he do, Sonny? Must of been pretty nuts for you to ice the guy.”

”He ate an apple.”

”That’s it?!”

 

You godless turd…that’s God’s forbidden fruit. I don’t care if them t.v. folk set him up or not. He walked into that park and saw that apple sitting on that bench and he took a bite. See, that’s why you heathen atheists are without morals. You fuckers are lucky there’s god-fearing people like us still left in the world. Now, dump the body in the laundry room and don’t forget to get my smokes from Grumpy on the way back to the lunchroom.”

 

”I never cared for apples man, have you?”

 

”Shit, I don’t know if I ever had one—last they were around, we were all kids. Kind of tasty-looking though in some of them old magazines they didn’t find during the Old Sweep.”

 

 

Polo

REMINGTON GRAVES

 

A designer heel hanging from a woman’s toe, her leg out the window of a Ferrari Testarossa, sunbeams piercing through cool fog which hangs amid gnarled leafy limbs of Oak giants standing watch, horses neighing in the distance, and a man dressed to gun down Gatsby. An elite clubhouse beyond city limits. Men who belong, understand tradition, excellence, passion, a disdain for the tastelessness. Masculinity in the morass of artemisia and camomile, its initial burst of lushful green freshness with basil and thyme, cumin’s spicy bite and clever coriander cloves. At the beating heart is the strong conifer woods, parading with notes of patchouli, veviter and oak moss. The base consists of thyme, tobacco and the finest leather, which produces a titillating and delightful trail of intensity.

 

Polo is one of two initial fragrances by Ralph Lauren and was produces perfectly by Carlos Benaim in the year of 1978.

 

Hail Carlos Benaim!